Vividthree Holdings Ltd. Overview
| Metric | FY2024 | FY2025 | FY2026 |
|---|---|---|---|
| Full-time permanent employees (year-end) | 63 | 39 | — |
| Employee compensation (S$ M) | — | 3.37 | 1.79 |
FY2024 headcount is derived from the disclosed 38% decline to 39 in FY2025 (AR2025). Employee compensation is from FY2026 results Note 6.2.
Vividthree is a Singapore micro-cap creative-technology company. It began in 2006 as a visual effects (VFX), computer-generated imagery (CGI) and 3D animation studio, became part of mm2 Asia's media group in 2015, and listed on Catalist in 2018 on the strength of immersive media, most visibly the "Train to Busan" VR tour show. Since FY2024, management has tried to move the group from low-margin service production toward owned intellectual property, MICE experiential content, family and out-of-home entertainment, and public relations, the last through a consolidated 30% stake in Elliot Communications. Execution has not yet produced scale. Revenue fell from S$7.09M (FY2024) to S$1.72M (FY2026, unaudited). Successive impairments and fair-value write-downs have eliminated almost all of the group's non-current assets, and group equity turned negative (−S$4.14M) at 31 March 2026. The company now depends on small placements and convertible bonds to stay solvent. Its latest initiative is operating a livehouse and music studio at *SCAPE under its controlling shareholder.
Company's own description (paraphrased from AR2025 and the FY2026 results announcement)
The company describes itself as a creative studio founded in 2006. It produces content across mediums and platforms, guided by entertainment, learning and training. It uses storytelling and technologies such as virtual reality (VR), augmented reality (AR) and mixed reality (MR) to build bespoke multimedia experiences for brands and trade clients. In AR2025 it presents four business lines:
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Family Entertainment — digitally enhanced family venues such as family karaoke and arcade centres, combining sound systems, interactive displays and digital gaming.
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Digital & Live Experience — content creation and event management for MICE (Meetings, Incentives, Conferences and Events/Exhibitions), using owned or licensed IP to create immersive interactions.
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Digital Media — post-production services including anamorphic displays, video production, VFX and motion design.
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Public Relations — communications and media relations, including strategic planning, research, product launches, press conferences and speaking engagements.
The FY2026 announcement lists the subsidiaries' principal activities as motion picture, video and TV post-production and content production; event management; advisory, consulting and communications/media relations; and the provision and operation of family entertainment services.
Reporting segments (FY2026 results, Note 4)
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(a) Digital Media & Live Experience Production, comprising:
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Digital & live experience production — producing immersive experiential content for MICE from the group's own or acquired digital IP, and licensing that IP to third parties such as venue owners and show promoters.
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Digital media production — VFX, CGI and immersive media for feature films and commercials, projection mapping and other post-production.
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(b) Public Relations: management consultancy and communications/media relations (the Elliot Group).
(c) Others: family entertainment services. This produced S$4,739 in FY2025 and nil in FY2026.
Business model and revenue model
| Dimension | Characterisation | Evidence |
|---|---|---|
| Product vs service mix | Almost entirely project-based services. FY2026 revenue was S$0.85M recognised at a point in time (digital media / live experience) and S$0.87M recognised over time (PR retainers and projects). | FY2026 Note 4.2 |
| Subscription / recurring | No disclosed subscription revenue. The ComicVid OTT platform (animated comics) was described in AR2024, but no revenue from it is separately disclosed. | AR2024 |
| Licensing | IP licensing to venue owners and promoters is part of the live-experience model. Licensing revenue is not separately quantified. The acquired IP rights (S$1.67M cost) were fully impaired in FY2025. | FY2026 Notes 4, 15 |
| Venue operations (B2C) | Started with a family karaoke outlet at JEM mall, which ceased on 27 Mar 2025. A new out-of-home venue was "at an advanced stage" in May 2026 (S$356k renovation prepayments at 31 Mar 2026). A *SCAPE livehouse and studio operating term sheet was signed on 3 Aug 2026. | AR2025; FY2026 Notes 2, 20; SCAPE announcement |
| Investment income | Profit-share investments in films and entertainment events (carried at fair value through profit or loss). Written down from S$7.24M to nil in FY2026. | FY2026 Note 12 |
Value-chain position and customers
Vividthree sits mid-chain as an outsourced creative production vendor. It serves film and TV producers (post-production), brands and agencies (commercials, anamorphic out-of-home displays), MICE organisers and venue owners (experiential content), and corporate and government-linked clients (PR). Its strategic aim is to move up the chain into IP ownership and direct-to-consumer venues (AR2025 CEO statement).
Customer concentration is not quantitatively disclosed. Related-party sales to mm2 Asia group entities were S$127,600 in FY2025 and nil in FY2026 (FY2026 Note 6.3).
End-markets: Singapore (32.7% of FY2026 revenue), Malaysia (55.1%), Japan, Taiwan and others. Thailand contributed S$0.41M in FY2025 and nil in FY2026 (FY2026 Note 4.2).
Independent characterisation
On the evidence in the filings, Vividthree is a sub-scale, cash-constrained creative services company in a prolonged turnaround. It has rotated through several strategic themes within five years: immersive VR tours (2018–2019), NFTs, Filecoin mining and the metaverse (FY2022), MICE experiences and PR (FY2023–FY2024), and consumer out-of-home and edutainment (FY2025–FY2027). None has yet produced self-sustaining revenue. Its residual operating assets are small: plant and equipment of S$0.13M and total assets of S$0.83M at 31 Mar 2026. Its value now rests mainly on its creative team's capabilities, its relationship with mm2 Asia, and its Catalist listing as a fundraising platform.
Strategy
Stated strategy (AR2025 Chairman and CEO statements; paraphrased)
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Leave low-margin service production. Following a review prompted by margin pressure and competition, the group cut back digital media production, streamlined costs and became more selective about projects. Management says the rise of generative AI confirms this shift and that it has adopted generative-AI tools to cut cost and time to market.
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Create intellectual property. Move up the value chain by producing proprietary content and IP aimed at consumer out-of-home entertainment and regional edutainment, with the goal of recurring revenue.
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Immersive experiences. Develop proprietary immersive formats that combine animation, VFX and XR with AI-driven content, designed to be scalable and exportable.
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Expand by segment. Extend existing partnerships into family entertainment and edutainment.
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Sustainable digital solutions. Invest in eco-friendly technologies.
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Partnerships in Southeast Asia and China in immersive and family entertainment.
The FY2026 outlook (30 May 2026) expects the next 12 months to remain challenging. Priorities are operating efficiency, cost control, cash preservation and commercially viable projects, while continuing the pivot to consumer out-of-home entertainment.
Initiatives announced in the last 24 months (Oct 2024 – Oct 2026)
| Date | Initiative | Type | Status / outcome | Source |
|---|---|---|---|---|
| Aug 2024 | K.Space / K.Studio family entertainment JV (55/45 with K.Star Management) | New business | JEM outlet closed Mar 2025; equipment being reallocated | 1H FY2025 press release; AR2025 |
| Nov 2024 | Funkie Monkies Ventures MoU (music edutainment) | Partnership | Non-binding; no follow-on disclosed | 1H FY2025 press release |
| FY2025 | Generative AI integrated into production | Operational | Stated; no metrics disclosed | AR2025 |
| FY2025–FY2026 | Manpower rationalisation and cost streamlining | Cost programme | Admin expenses −38.3% and cost of sales −69.7% in FY2026; no formal target disclosed | FY2026 results |
| Sep–Oct 2025 | Hildrics strategic placement (S$2.22M) | Capital | Completed 21 Oct 2025; proceeds fully used | FY2026 results F-8 |
| Mar 2026 | Bank debt restructuring (S$1.0M) | Balance sheet | Completed | FY2026 Note 18 |
| Apr–Jul 2026 | Two S$1.0M convertible bond issues | Capital | Both completed | FY2026 Note 26; Minichart |
| May 2026 | Talks with strategic investors to raise S$1.0–1.5M | Capital | "Advanced negotiations"; not completed as of the latest disclosure | FY2026 Note 2 |
| May 2026 | New consumer out-of-home venue | New business | "Advanced stage"; not yet opened as of the latest disclosure | FY2026 Note 2 |
| Aug 2026 | *SCAPE livehouse and music studio operator role | New business (interested-person transaction with mm2) | Binding term sheet; no commencement announced | SCAPE announcement |
ESG commitments
These comprise first-time TCFD-aligned climate disclosures and Scope 2 reporting in FY2025, a target to add Scope 1 next period, and a commitment to improve gender balance in FY2026 (AR2025 Sustainability Summary).
Medium-term financial targets and guidance
None disclosed. The company states that no forecast or prospect statement has been given to shareholders (FY2026 results F-3).
Products & Services
Pricing is not publicly disclosed for any offering. All work is quoted per project or under retainers.
Digital Media & Live Experience Production segment
| Offering | Description / capabilities | Target customer | Launch / status | Source |
|---|---|---|---|---|
| Visual effects (VFX) | Compositing, CG elements and digital environments for feature films and TV. This is the group's founding business. | Film and TV producers (Singapore, Malaysia, regional) | Since 2006; goodwill on this business written down S$2.85M in FY2025 | AR2025; FY2026 Note 4 |
| Computer-generated imagery (CGI) / 3D animation | 3D animation for films, commercials and branded content. Company materials describe it as a leading Singapore 3D animation and VFX studio. | Producers, brands, agencies | Ongoing | FY2024/FY2025 press releases |
| Motion design | Motion graphics for advertising and corporate content | Brands, agencies, corporates | Ongoing | AR2024; AR2025 |
| Anamorphic display content | Forced-perspective "3D" content for curved or corner LED billboards | Brands, out-of-home media owners, malls | Highlighted in AR2024–AR2025 | AR2025 "Our Business" |
| Video / live-action production | Commercial and corporate video production | Brands, corporates | Ongoing | AR2025 |
| Post-production | Editing, grading and finishing | Film, TV and commercial clients | Ongoing | FY2026 Note 4 |
| Projection mapping | Large-scale projection content for events and buildings | Event organisers, venues, government | Ongoing | FY2026 Note 4 |
| Immersive VR/AR/MR experiences | Bespoke multimedia experiences using VR, AR and MR | Venues, exhibitions, promoters | Since 2017 | AR2025 corporate profile |
| Train to Busan VR Tour | Licensed-IP VR tour set based on the Korean film. Premiered in Beijing (Hopson One) on 1 Dec 2018; moved to Xiamen in Jul 2019. | Mall operators and promoters (China) | 2018–2019 (flagship immersive IP) | 1H FY2019 and 1Q FY2020 press releases |
| MICE experiential content and event management | Immersive content and event management for launches, conferences and national campaigns, drawing on a network of IP | MICE organisers, corporates, government agencies | Scaled in FY2023–FY2024 (S$2.81M revenue in FY2024) | AR2024; AR2025 |
| IP licensing | Licensing owned or acquired digital IP to venue owners and promoters | Venue owners, promoters | Ongoing; acquired IP rights fully impaired in FY2025 | FY2026 Notes 4, 15 |
| Self-developed immersive content (intangibles) | Capitalised immersive content, software and licences (cost S$1.26M). Fully amortised and impaired by 31 Mar 2026. | Internal use / licensing | Carrying value nil at FY2026 | FY2026 Note 16 |
| Immersive concept inventory | A developed concept with immersive content, written down by S$0.80M to nil in FY2025 | — | Written off | AR2025 |
| Generative-AI-enabled production | Generative AI tools integrated across operations to improve cost and speed | Internal capability | Stated in AR2025 | AR2025 CEO statement |
Consumer entertainment and IP
| Offering | Description | Status | Source |
|---|---|---|---|
| ComicVid | Online over-the-top (OTT) platform for animated comics by regional artists represented by Vividthree; intended as a pipeline for series or live experiences | Described in AR2024; not featured in AR2025; no revenue disclosed | AR2024 |
| Silent Horror webcomic IP | IP rights to a popular webcomic, acquired through the purchase of a rights-holding company | Acquired rights (cost S$1.67M) impaired S$1.15M in FY2025; carrying value nil | 1H FY2025 press release; FY2026 Note 15 |
| NFT digital comic collectibles | NFT comic collectibles launched for sale | Launched about Dec 2021; no subsequent revenue disclosed | Stockopedia news list |
Family / out-of-home entertainment ("Others" segment)
| Offering | Description | Status | Source |
|---|---|---|---|
| Family karaoke (K.Studio) | Digitally enhanced family karaoke outlet at JEM mall, sub-leased from Cathay Cineplexes | Ceased 27 Mar 2025 after the sub-lease was terminated; plant and equipment impaired S$0.31M; equipment being reallocated | AR2025 |
| Arcade centres (with Sky City) | MOU to develop gaming arcade centres in Southeast Asia with a Chinese operator of more than 100 outlets | MOU only (23 Nov 2023); no definitive agreement disclosed | Sky City MOU press release |
| Immersive family entertainment JV ("K.Space") | JV for immersive experiences in family entertainment (Aug 2024) | Structured through K.Studio (55/45); no operating venue disclosed after JEM | 1H FY2025 press release; FY2026 Note 13 |
| Music edutainment (Funkie Monkies) | Non-binding MoU with Funkie Monkies Ventures Pte. Ltd. | MoU (Nov 2024); no definitive terms disclosed | 1H FY2025 press release |
| New consumer out-of-home venue | Venue "at an advanced stage" of opening (May 2026); about S$356k of renovation advances at 31 Mar 2026 | Pending | FY2026 Notes 2, 20 |
| *SCAPE livehouse and music studio | Exclusive sub-operator under mm2 Asia. Covers programming, ticketing, F&B, technical, marketing and staffing. Vividthree bears operating costs and capex; mm2 receives up to S$80k in total over 3 years, payable only from distributable profit. | Binding term sheet signed 3 Aug 2026; commencement not confirmed | SCAPE announcement |
Public Relations segment (Elliot Group / Prospr)
| Offering | Description | Geography | Source |
|---|---|---|---|
| Strategic communications planning and research | Communications strategy and research for clients | Singapore, Malaysia, Indonesia | AR2025 |
| Media relations | Press engagement, press conferences | Same | AR2025 |
| Event execution | Product launches, speaking engagements | Same | AR2025 |
| Management consultancy | Advisory services | Same | FY2026 Note 4 |
Investment portfolio (non-operating)
| Holding | Description | Carrying value (31 Mar 2026) | Source |
|---|---|---|---|
| Investments in films and entertainment events (FVPL) | Profit-share participations, including a S$3.50M deposit reclassified in FY2025 | Nil (written down S$7.26M in FY2026) | FY2026 Note 12 |
| Financial assets (FVPL) | Unquoted US securities | S$10,000 | FY2026 Note 11 |
Financial Narrative
Sources: FY2022 press release (29 May 2022); FY2023 press release (28 May 2023); AR2024; AR2025; FY2026 unaudited results (30 May 2026). FY2022–FY2023 net loss and equity are restated values from AR2024 where available.
Income statement
FY2022 net loss as originally reported: S$5.83M. FY2023 as originally reported: S$3.42M. The operating loss excluding exceptional items was S$1.56M in FY2024, S$2.53M in FY2025 and S$1.24M in FY2026 (company pro forma, FY2026 results). Exceptional items were S$9.02M in FY2025 and S$8.32M in FY2026.
Margins and growth (%)
Revenue CAGR: FY2022–FY2026 (4 years) is −11.9% a year. FY2021–FY2026 (5 years, from S$2.03M) is −3.3% a year. Against the FY2020 pre-COVID peak of S$6.14M, FY2026 revenue is 72% lower.
Long-view revenue and net result: notes and sources
Sources: FY2021 press release (FY2020–FY2021); later years as above. Cumulative net losses FY2020–FY2026 total about S$37.2M.
Balance sheet
FY2024 borrowings are derived from AR2025's movement analysis (current borrowings fell by S$0.91M to S$1.50M; non-current rose by S$0.25M to S$0.80M). They are not taken directly from a published balance sheet. AR2024 reports FY2024 net assets of S$12.28M; the FY2026 statement of changes in equity shows S$12.32M at 1 Apr 2024. Total assets for FY2023 are the sum of the current and non-current assets disclosed in AR2024.
FY2026 borrowings composition (31 Mar 2026): bank borrowings S$1.16M (S$0.78M current); convertible bonds S$0.58M (S$0.03M current); shareholder loan S$0.20M (current, unsecured, repayable within one month). Total S$1.94M (FY2026 Note 18). In addition, S$2.0M of new convertible bonds were issued after year-end, in June and July 2026.
Cash flow
FY2022 equity proceeds refer to the Dec 2021 placement of 37.5M shares (about S$2.2M; MT Newswires). No buybacks are disclosed in the source set, although a share buyback mandate addendum accompanied AR2024.
Ratios
ROE and debt to equity are not meaningful for FY2026 because equity is negative. ROIC, net debt/EBITDA and interest coverage are not meaningful for any year shown because EBITDA and operating profit are negative throughout. A cash conversion cycle cannot be computed reliably from disclosed data. As an indicator of working-capital quality, 87% of gross trade receivables (S$0.24M of S$0.28M) were more than 12 months overdue at 31 Mar 2026 (FY2026 Note 9).
Commentary on trends, inflections and drivers
FY2022–FY2023: structural gross losses. In FY2022, cost of sales (S$4.73M) exceeded revenue (S$2.86M) by 65%. This reflects a fixed creative workforce and amortisation of capitalised content against thin COVID-era post-production volumes. FY2023 moved close to gross breakeven (−4.1% margin) as cost of sales fell to S$3.03M and digital & live experience revenue began to grow. The net loss narrowed to S$3.54M (restated).
FY2024: the only year of momentum. Revenue rose 143.6% to S$7.09M. Two drivers explain it. First, digital & live experience revenue rose 393% to S$2.81M on post-pandemic demand for location-based and event entertainment. Second, Elliot Communications was consolidated for the first time and added S$2.68M. Gross profit reached S$2.67M (37.7% margin), and operating cash flow was S$2.30M, helped by a S$2.34M rise in payables. However, administrative expenses rose 51% to S$3.93M (professional fees for corporate exercises and the newly consolidated entity), so the year still ended in a S$1.56M net loss. The traditional digital media production business fell 31.6% to S$1.60M. AR2024's CEO statement attributes this to price competition and emerging AI substitutes.
FY2025: collapse and write-downs. Revenue fell 44.1% to S$3.96M. Management deprioritised service projects in 2H to pursue consumer out-of-home opportunities, and PR revenue fell 24.6%. Gross margin halved to 18.2% because of fewer completed projects and higher pre-production costs. Exceptional items of S$9.02M included:
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goodwill impairment of S$2.85M on post-production;
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fair-value loss of S$1.77M on film investments;
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acquired-rights impairment of S$1.15M;
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expected credit losses of S$0.88M;
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fair-value loss of S$0.87M on financial assets;
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inventory write-down of S$0.80M;
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plant and equipment impairment of S$0.31M (JEM karaoke outlet).
Together these drove the net loss to S$11.55M and cut equity from S$12.32M to S$3.35M despite S$2.5M of new equity. Operating cash flow swung to −S$2.76M and cash fell to S$0.18M. The auditor's going-concern disclaimer reflects this position.
FY2026: cost cuts, but the asset base is gone. Revenue fell a further 56.5% to S$1.72M, and both segments fell about 56%. Management attributes the decline to clients adopting AI-enabled tools and to more selective project acceptance. Cost discipline was real: cost of sales fell 69.7%, administrative expenses fell 38.3% (headcount, leases, software and fees), and gross margin rose to 42.9%. The pro forma loss excluding exceptional items halved, from S$2.53M to S$1.24M. Even so, the remaining S$7.26M of film and entertainment investments was written to nil, along with the last S$0.61M of goodwill (PR CGU), plus S$0.45M of expected credit losses. Equity turned negative at −S$4.14M. Current liabilities exceeded current assets by S$3.38M. Cash at year-end was S$93k against S$1.01M of current borrowings and S$2.64M of trade and other payables. At the company level, investments in subsidiaries were fully impaired (S$0.70M), and a S$1.54M credit-loss provision was taken on amounts owed by subsidiaries.
Inflection assessment. The cost base now appears to be sized at roughly S$3.2M a year (cost of sales plus administrative expenses in FY2026). The company needs either about S$5–6M of revenue at a 40% gross margin, or a profitable venue business, to cover overheads. Neither is in evidence in reported results. The balance sheet has no remaining asset cushion, so any further losses directly increase the net-liability position.
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Group Entities
| Entity | Country | Effective interest | Role |
|---|---|---|---|
Vividthree Holdings Ltd. | Singapore | Parent | Investment holding |
Vividthree Productions Pte. Ltd. | Singapore | 100% | Core VFX/CGI/immersive production; designated operator for *SCAPE venues (2026) |
Vividthree Productions Sdn. Bhd. | Malaysia | 100% | Production (Malaysia) |
Vividthree Co., Ltd. | China (Shanghai) | 100% | China operations |
V&N Entertainment Pte. Ltd. | Singapore | 55% | Entertainment JV (partner not disclosed in source set) |
K.Studio Entertainment Pte. Ltd. (formerly Beyond Digital Galaxy Pte. Ltd.) | Singapore | 55% | Family entertainment (karaoke); 45% held by K.Star Management Pte. Ltd. |
Elliot Communications Pte. Ltd. | Singapore | 30% (consolidated) | PR holding / operating entity |
Prospr Consulting Pte. Ltd. | Singapore | 100% (via Elliot) | PR consulting |
Prospr Consulting Sdn. Bhd. | Malaysia | 100% (via Elliot) | PR consulting |
PT Prospr Consulting Indonesia | Indonesia | 100% (20% Elliot + 80% Prospr Consulting Pte. Ltd.) | PR consulting |
Prospr Communications Pte. Ltd. | Singapore | 100% | Being struck off |
Alpha Story Technologies Pte. Ltd. | Singapore | 100% | Being struck off |
Revenue by Segment
| Segment | FY2023 | FY2024 | FY2025 | FY2026 |
|---|---|---|---|---|
Digital Media Production (SGD Mn) | 2.34 | 1.60 | — | — |
Digital & Live Experience Production (SGD Mn) | 0.57 | 2.81 | — | — |
Digital Media & Live Experience Production total (SGD Mn) | 2.91 | 4.41 | 1.94 | 0.85 |
Public Relations (SGD Mn) | 0 | 2.68 | 2.02 | 0.87 |
Others / Family Entertainment (SGD Mn) | 0 | 0 | 0.005 | 0 |
Group revenue (SGD Mn) | 2.91 | 7.09 | 3.96 | 1.72 |
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View Subscription PlansSegment Margins & Growth (%) and Revenue by Segment (%)
| Metric | FY2024 | FY2025 | FY2026 |
|---|---|---|---|
DM&LE revenue growth YoY (%) | 51.5 | -56.0 | -56.1 |
Public Relations revenue growth YoY (%) | — | -24.6 | -56.8 |
DM&LE share of group revenue (%) | 62.2 | 48.9 | 49.3 |
Public Relations share of group revenue (%) | 37.8 | 51.0 | 50.7 |
Results by Segment
| Segment metric | FY2024 | FY2025 | FY2026 |
|---|---|---|---|
DM&LE segment EBITDA (company definition, SGD Mn) | — | -2.57 | -1.10 |
Public Relations segment EBITDA (SGD Mn) | — | -0.38 | -0.51 |
Others segment EBITDA (SGD Mn) | — | -0.06 | 0 |
DM&LE loss before tax (SGD Mn) | -1.87 | -10.52 | -8.99 |
Public Relations profit/(loss) before tax (SGD Mn) | 0.32 | -0.73 | -0.56 |
Others loss before tax (SGD Mn) | 0 | -0.43 | 0 |
Revenue by Segment (Half-Yearly)
| Metric | 1H FY2025 | 2H FY2025 | 1H FY2026 | 2H FY2026 |
|---|---|---|---|---|
Revenue (SGD Mn) | 2.00 | 1.96 | 0.78 | 0.94 |
Loss after tax before NCI (SGD Mn) | -0.88 | -10.68 | -0.76 | -8.80 |
Income Statement and Per-Share Data
| Metric | FY2022 | FY2023 | FY2024 | FY2025 | FY2026 |
|---|---|---|---|---|---|
Revenue (SGD Mn) | 2.86 | 2.91 | 7.09 | 3.96 | 1.72 |
Cost of sales (SGD Mn) | 4.73 | 3.03 | 4.43 | 3.24 | 0.98 |
Gross profit (SGD Mn) | -1.87 | -0.12 | 2.67 | 0.72 | 0.74 |
Other income (SGD Mn) | — | 0.12 | 0.16 | 0.18 | 0.12 |
Other losses net (SGD Mn) | — | -0.76 | -0.28 | -8.91 | -8.11 |
Administrative expenses (SGD Mn) | — | 2.60 | 3.93 | 3.52 | 2.17 |
Finance expenses (SGD Mn) | — | — | 0.17 | 0.16 | 0.13 |
EBITDA, company definition (SGD Mn) | — | -1.69 | -0.77 | -3.02 | -1.61 |
Loss before tax (SGD Mn) | — | -3.54 | -1.56 | -11.68 | -9.55 |
Net loss (SGD Mn) | -5.67 | -3.54 | -1.56 | -11.55 | -9.56 |
Net loss attributable to owners (SGD Mn) | — | — | — | -10.83 | -9.44 |
Basic/diluted EPS (S$ cents) | — | — | — | -2.53 | -1.80 |
Dividend per share (S$ cents) | 0 | 0 | 0 | 0 | 0 |
Margin Analysis (%)
| Metric | FY2022 | FY2023 | FY2024 | FY2025 | FY2026 |
|---|---|---|---|---|---|
Revenue growth YoY (%) | 41.1 | 1.9 | 143.6 | -44.1 | -56.5 |
Gross margin (%) | -65.4 | -4.1 | 37.7 | 18.2 | 42.9 |
EBITDA margin (%) | — | -58.1 | -10.9 | -76.3 | -93.4 |
Net margin (%) | -198.3 | -121.6 | -22.0 | -291.6 | -555.2 |
Income Statement
| Metric | FY2020 | FY2021 | FY2022 | FY2023 | FY2024 | FY2025 | FY2026 |
|---|---|---|---|---|---|---|---|
Revenue (SGD Mn) | 6.14 | 2.03 | 2.86 | 2.91 | 7.09 | 3.96 | 1.72 |
Gross profit (SGD Mn) | 2.06 | -1.63 | -1.87 | -0.12 | 2.67 | 0.72 | 0.74 |
Net loss (SGD Mn) | -0.76 | -4.51 | -5.67 | -3.54 | -1.56 | -11.55 | -9.56 |
Balance Sheet and Per-Share Data
| Metric | FY2022 | FY2023 | FY2024 | FY2025 | FY2026 |
|---|---|---|---|---|---|
Total assets (SGD Mn) | — | 20.38 | 20.92 | 9.99 | 0.83 |
Current assets (SGD Mn) | — | 7.61 | 8.34 | 1.72 | 0.64 |
Cash and equivalents (SGD Mn) | — | 0.56 | 1.43 | 0.18 | 0.09 |
Trade and other receivables, current (SGD Mn) | — | 1.30 | 1.72 | 1.18 | 0.16 |
Investments in films and events, FVPL (SGD Mn) | — | — | 5.69 | 7.24 | 0 |
Goodwill (SGD Mn) | — | — | 3.46 | 0.61 | 0 |
Acquired rights and intangibles (SGD Mn) | — | — | 1.49 | 0.03 | 0 |
Current liabilities (SGD Mn) | — | 5.24 | 7.83 | 5.80 | 4.02 |
Non-current liabilities (SGD Mn) | — | 1.77 | 0.81 | 0.83 | 0.94 |
Short-term borrowings (SGD Mn) | — | — | 2.41 | 1.50 | 1.01 |
Long-term borrowings (SGD Mn) | — | — | 0.55 | 0.80 | 0.93 |
Total borrowings (SGD Mn) | — | — | 2.96 | 2.30 | 1.94 |
Net debt (SGD Mn) | — | — | 1.53 | 2.12 | 1.85 |
Total equity (SGD Mn) | 16.67 | 13.37 | 12.28 | 3.35 | -4.14 |
Working capital (SGD Mn) | — | 2.37 | 0.51 | -4.08 | -3.38 |
NAV per share (S$ cents) | — | — | — | 0.72 | -0.67 |
Cash Flow
| Metric | FY2022 | FY2023 | FY2024 | FY2025 | FY2026 |
|---|---|---|---|---|---|
Operating cash flow (SGD Mn) | — | 1.39 | 2.30 | -2.76 | -1.65 |
Capital expenditure (SGD Mn) | — | — | 0.02 | 0.34 | 0.11 |
Free cash flow (SGD Mn) | — | — | 2.28 | -3.10 | -1.76 |
Investing cash flow (SGD Mn) | — | 0.16 | 0.57 | -0.02 | -0.11 |
Financing cash flow (SGD Mn) | — | -1.86 | -1.99 | 1.53 | 1.67 |
Equity issued, gross proceeds (SGD Mn) | 2.20 | 0 | 0 | 2.50 | 2.22 |
Convertible bonds issued (SGD Mn) | — | 0 | 0 | 0.70 | 0 |
Bank and other borrowings repaid (SGD Mn) | — | — | 1.64 | 1.34 | 1.42 |
Dividends paid (SGD Mn) | 0 | 0 | 0 | 0 | 0 |
Share buybacks (SGD Mn) | 0 | 0 | 0 | 0 | 0 |
Returns & Leverage Ratios (%) and Financial Ratios (x)
| Ratio | FY2023 | FY2024 | FY2025 | FY2026 |
|---|---|---|---|---|
ROE (%, average equity) | — | -12.2 | -147.4 | — |
ROA (%, average assets) | — | -7.6 | -74.7 | -176.7 |
Current ratio (x) | 1.45 | 1.07 | 0.30 | 0.16 |
Debt to equity (x) | — | 0.24 | 0.69 | — |
Asset turnover (x, average assets) | — | 0.34 | 0.26 | 0.32 |
Revenue by Region
| Region | FY2024 | FY2025 | FY2026 |
|---|---|---|---|
Singapore (SGD Mn) | — | 2.488 | 0.563 |
Malaysia (SGD Mn) | — | 0.481 | 0.949 |
Japan (SGD Mn) | — | 0.144 | 0.092 |
Taiwan (SGD Mn) | — | 0.250 | 0.014 |
Thailand (SGD Mn) | — | 0.412 | 0 |
Others (SGD Mn) | — | 0.188 | 0.104 |
Total (SGD Mn) | 7.09 | 3.962 | 1.722 |
Geographic Revenue
| Region | FY2025 share of revenue (%) | FY2026 share of revenue (%) | FY2026 YoY growth (%) |
|---|---|---|---|
Singapore | 62.8 | 32.7 | -77.4 |
Malaysia | 12.1 | 55.1 | 97.4 |
Japan | 3.6 | 5.4 | -35.8 |
Taiwan | 6.3 | 0.8 | -94.4 |
Thailand | 10.4 | 0.0 | -100.0 |
Others | 4.7 | 6.0 | -44.7 |
Geographic Revenue (Half-Yearly)
| Region | 2H FY2025 | 2H FY2026 |
|---|---|---|
Singapore | 1.098 | 0.129 |
Malaysia | 0.009 | 0.713 |
Japan | 0.072 | 0.037 |
Taiwan | 0.250 | 0.008 |
Thailand | 0.412 | 0 |
Others | 0.122 | 0.051 |
Share Count (M) and Per-Share Data
| Metric | FY2022 | FY2023 | FY2024 | FY2025 | FY2026 |
|---|---|---|---|---|---|
Shares outstanding at year-end (M) | — | — | 371.51 | 464.10 | 601.50 |
Equity issue price in year (S$ per share) | 0.0587 | — | — | 0.027 | 0.01615 |
Weighted average shares, basic (M) | — | — | — | 428.33 | 524.33 |
Dividend per share (S$ cents) | 0 | 0 | 0 | 0 | 0 |
Data Point by Horizon
| Horizon | Data point | Indicative change | Source |
|---|---|---|---|
1 year (to Aug 2026) | S$0.009; 52-week range S$0.009–0.025 | about −44% | Investing.com, 3 Aug 2026 |
3 years | No reliable Oct 2023 reference price retrieved | — | — |
About 4 years | S$0.045 (27 May 2022) to S$0.009 (Aug 2026) | about −80% | The Edge Singapore; Investing.com |
5 years | No reliable Oct 2021 reference price retrieved | — | — |
Valuation Multiples
| Multiple | Vividthree | Comment |
|---|---|---|
Market capitalisation | about S$5.4M | 601.5M shares × S$0.009 |
Enterprise value | about S$7.3M | Market capitalisation + S$1.94M borrowings − S$0.09M cash. Excludes S$2.0M of convertible bonds issued after year-end. |
P/E | n/m | Loss-making |
EV/EBITDA | n/m | Negative EBITDA (−S$1.61M) |
EV/Sales | about 4.2x | On FY2026 revenue of S$1.72M |
P/B | n/m | Negative book value |
Peer multiples | mm2 Asia P/S about 0.2x (TipRanks, stale) | Not a clean comparison |
Capital Instruments
| Instrument | Due within 1 year | Due after 1 year | Key terms | Source |
|---|---|---|---|---|
Bank borrowings (UOB, restructured) | 0.78 | 0.38 | S$1.0M secured by corporate guarantee and a charge over a subsidiary's proceeds account; S$0.16M secured by personal guarantee of a non-controlling interest | FY2026 Note 18 |
2024 convertible bonds | 0.03 | 0.55 | 6% coupon; matures Aug 2027; conversion up to 16.28M shares | FY2026 Notes 8, 18 |
Shareholder loan | 0.20 | 0 | Unsecured; repayable within one month | FY2026 Note 18 |
Analyst Conclusions
Management guidance
No quantitative guidance. Management expects a challenging operating environment over the next 12 months and will focus on efficiency, cost control, cash preservation, commercially viable projects and the pivot to consumer out-of-home entertainment (FY2026 results F-4). It lists four supports for going concern:
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the S$1.0M convertible bonds;
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S$1.0–1.5M of investor funding under negotiation;
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a new out-of-home venue;
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continued support from the bank and creditors (FY2026 Note 2).
Consensus
None. There is no analyst coverage.
Bull case
-
A lean base with operating leverage. With the FY2026 cost base cut to roughly S$3.2M and gross margin at 42.9%, rebuilding revenue to about S$5–6M through venues plus Malaysian project work would move the group toward EBITDA breakeven. FY2024's S$7.09M revenue shows that level has been reached before.
-
No further write-downs left to take. Goodwill, IP, intangibles and film investments are all at nil, so future reported results should reflect operations rather than impairments.
-
Strategic capital and a venue pipeline. Hildrics (22.8%) and two entertainment-linked bondholders, together with the *SCAPE livehouse and a second venue nearing opening, give the B2C pivot actual sites for the first time since JEM.
Bear case
-
Solvency. Negative equity of S$4.14M, S$93k of cash, a working-capital deficit of S$3.38M and an FY2025 going-concern disclaimer mean survival depends on continuous external funding at falling prices.
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Regulatory escalation. SGX rejected the AGM extension and has reserved enforcement rights. A further qualified or disclaimed FY2026 audit, or delayed filings, could lead to a trading suspension. SGX RegCo's May 2026 policy sets a three-year cure period for suspended issuers.
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Execution record. Revenue fell 76% in two years. Every prior pivot (VR tours, NFTs, Filecoin, PR, karaoke) failed to scale. Two co-founders and most senior management have left. The controlling shareholder is itself deeply distressed.
Key catalysts and monitorables (next 12 months)
-
Publication of the audited FY2026 annual report and the auditor's opinion (unmodified, emphasis of matter, or disclaimer), and whether the AGM was held by 29 Sep 2026.
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Any SGX enforcement action, trading halt or suspension, or sponsor resignation.
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Completion of the S$1.0–1.5M strategic investor fundraising.
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A definitive agreement and start of operations for the *SCAPE venues, and opening of the second out-of-home venue.
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1H FY2027 results (half-year to 30 Sep 2026), due by about mid-November 2026: revenue trend and whether the S$0.67M of bank debt due by Mar 2027 can be serviced.
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Conversions under the S$2.0M of 2026 convertible bonds, and the resulting shareholder register changes.
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mm2 Asia's own restructuring and any disposal of its 23% stake.
-
Board renewal ahead of both independent directors reaching nine years on 23 Aug 2027.
Analyst verdict
Vividthree Holdings is in distressed-turnaround territory. A disclosed and still-functioning creative capability is set against a balance sheet with no remaining equity. Between FY2024 and FY2026 the group lost about S$22.7M, and its asset base fell from S$20.9M to S$0.8M as it wrote off every material non-current asset. These were goodwill on post-production and PR, acquired IP, self-developed content, and S$7.24M of film and entertainment investments. The S$3.5M deposit behind those investments was reclassified only in FY2025 and then marked to nil within twelve months. That sequence shows how unreliable the group's prior asset carrying values were, and it reinforces the FY2025 auditor's disclaimer.
The operating picture is mixed rather than hopeless. Management did cut costs decisively in FY2026: administrative expenses fell by 38%, cost of sales fell by 70%, and gross margin recovered to 43%. The pro forma loss halved to S$1.24M. However, revenue of S$1.72M cannot support even this reduced cost base. The strategic pivot to consumer out-of-home venues has not yet produced a single operating site after the JEM closure. The *SCAPE arrangement is a term sheet with a controlling shareholder that is itself in financial difficulty.
For equity holders, the dominant variables over the next twelve months are not operational. They are regulatory and financing: the FY2026 audit outcome, SGX's response to missed deadlines, and continued access to small, dilutive funding near S$0.0165 per share. Full conversion of outstanding convertibles would add roughly 23% to the share count.
Overall assessment: very high risk; outcome binary. Continuation depends on converting new venue arrangements into recurring cash flow before funding runs out. Absent audited FY2026 accounts and evidence of venue revenue, the investment case cannot be underwritten on fundamentals.
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View Subscription PlansExecutive Leadership
Board of Directors
| Name | Role | First appointed | Age | Background / education | FY2025 remuneration | Shareholding |
|---|---|---|---|---|---|---|
Dr Ho Choon Hou | Independent Director and Chairman; RC Chairman; AC and NC member | 23 Aug 2018 | 52 (AR2025) | Managing Director, Southern Capital Group (private equity). Former deputy director, National Healthcare Group; former Registrar in General Surgery, Tan Tock Seng Hospital. MBBS (Sheffield), MMed Surgery (NUS), MBA (Chicago GSB). | S$40,000 (100% directors' fees, subject to AGM approval) | Deemed 11,090,400 shares via Lionsgate Ltd. (1.84%) |
Yeo Eng Pu, Charles | Executive Director and CEO; NC member | 7 Apr 2018 | 48 (AR2025) | Co-founder. In the industry since 2003 (VFX and animation). Previously Managing Director and Chief Creative Officer; CEO since 1 Dec 2023. Associate Diploma in Multimedia (NAFA), MBA (Murdoch). | S$152,000 (87% salary, 13% benefits). FY2024 band: S$200,001–400,000. | 43,987,840 shares direct (7.31%) |
Wong Kim Soon, Royson | Independent Director; AC and NC Chairman; RC member | 23 Aug 2018 | 68 (AR2024) | Managing Director, Global Access Logistics Network. Former Chief Leadership Development Officer, Agility (Kuwait). Former Finance Director and Deputy Group MD, Trans-Link Express. B.Acc and MSc (NUS); CPA Australia; CA Singapore. | S$20,000 (fees) | None disclosed |
Chang Long Jong | Non-Executive Non-Independent Director; AC and RC member | 23 Aug 2018 | 63 (AR2024) | CEO of mm2 Asia since Apr 2017. Former Deputy CEO and Chief Customer Officer, Mediacorp. B.Eng (Civil), NUS. | S$20,000 (fees payable to mm2 Asia) | 200,000 shares (0.03%) |
Executive Leadership Team
| Name | Title | Tenure / status | Notes | Source |
|---|---|---|---|---|
Charles Yeo | CEO | CEO since 1 Dec 2023 (earlier Managing Director) | See board table | AR2025 |
Philip Tan Jing Choon | Chief Financial Officer | Effective 30 Apr 2026 | Disclosed affiliation with CH Philip Management & Consultancy Services Sdn Bhd; being appointed director of Vividthree Productions Sdn Bhd. Compensation not disclosed. | SGX announcement, 16 Apr 2026 |
Koh Chink Ee | Former CFO | — | — | Stockopedia news list |
Kok Pooi Wai | Financial Controller | — | More than 15 years of Big Four and industry experience; ACCA; CA (Malaysia). FY2025 band below S$100k. | AR2025 |
Mok Wai Yin, Jed | Former Chief Content Officer | Resigned 31 Dec 2024 | FY2025 band S$100,001–200,000 | AR2025 |
Lee Hoon Hwee | Former COO | Resigned 22 Nov 2024 | — | AR2025 |
Hong Wei Chien, Jay | Co-founder; former VFX Director | Resigned 30 Sep 2024 | — | AR2025 |
Sky Li | Co-founder; former COO | KMP in FY2024 (band S$100,001–200,000); not listed in AR2025 | — | AR2024; AR2025 |
Jonathan Zhang Weiquan | Former ED and CEO | ED from 22 Aug 2022; CEO 1 Nov 2022–30 Nov 2023 | FY2024 band S$50,001–200,000 | AR2024 |
Freddy Er Song Ngueng | Former Non-Executive Director | Died 5 May 2023 | — | AR2024 |
Major Shareholders
| Holder | Shares (approx.) | Stake (% of 601.5M) | Notes | Source |
|---|---|---|---|---|
mm2 Asia Ltd. | about 138.7M | 23.06 | Controlling shareholder (Catalist definition); its own finances are severely distressed | SCAPE announcement, 3 Aug 2026 |
Hildrics Asia Growth Fund VCC (Asia Media & Entertainment Fund) | 137.4M (placement) | 22.84 | Calculated from the Oct 2025 placement; assumes no other dealings | FY2026 Note 23 (computed) |
Yeo Eng Pu, Charles | 43,987,840 | 7.31 | CEO | AR2025 (computed on current share base) |
Lionsgate Ltd. (deemed interest of Dr Ho Choon Hou) | 11,090,400 | 1.84 | Chairman | AR2025 |
Chang Long Jong | 200,000 | 0.03 | NED | AR2025 |
Competitive Landscape
Competitors by Segment
| Segment | Competitor | Ownership | HQ | Relative positioning vs Vividthree | Revenue (public) |
|---|---|---|---|---|---|
VFX / animation / post-production | Tiny Island Productions | Private | Singapore | Established Singapore animation studio with original IP; comparable or larger | — |
VFX / animation | One Animation (Oddbods) | Private | Singapore | Owns global kids' IP, the IP-led model Vividthree is aiming for | — |
VFX / animation | Sparky Animation | Private | Singapore | Animation service studio | — |
VFX / post-production | Base Media / Base FX | Private | China / Malaysia | Much larger regional VFX capacity | — |
VFX / post-production | Infinite Studios | — | Batam, Indonesia / Singapore | Studio and post-production complex; larger physical capacity | — |
Immersive / experiential | teamLab | Private | Tokyo, Japan | Global leader in immersive digital art venues; far larger scale | — |
Immersive / experiential | Moment Factory | Private | Montreal, Canada | Global multimedia and experiential studio | — |
Immersive / experiential | Grande Experiences | Private | Australia | Touring immersive exhibitions | — |
Immersive / experiential (China) | Metavision International | Private | China / HK | Former term-sheet partner; operates immersive VR expeditions | — |
Family entertainment | Timezone | Private | Australia / Asia | Large regional arcade chain; dominant in malls | — |
Family entertainment (karaoke) | Teo Heng KTV; K Box | Private | Singapore | Incumbent karaoke chains; scale and locations | — |
Public relations | Edelman; Weber Shandwick; Ruder Finn | Private / agency holding groups | Global | Multinational agencies with Singapore offices | Not publicly disclosed at Singapore level |
Public relations (local) | Mutant Communications and other independents | Private | Singapore | Local independents competing for SME and government accounts | — |
Content / entertainment (listed, related) | mm2 Asia Ltd. (SGX: 1B0) | Listed | Singapore | Content producer, concert and event promoter; controlling shareholder; partly a client, partly a competitor in events | FY2025: S$165.1M |
AI-enabled substitutes | Generative video and design tools (various) | Various | Global | Cited by management as a cause of lost project demand (AR2024; FY2026 results) | — |
“—” = not publicly disclosed.
Peer Comparison FY2026
| Metric | Vividthree (FY2026, unaudited) | mm2 Asia (FY2025) |
|---|---|---|
Revenue | S$1.72M | S$165.1M |
Revenue growth YoY | −56.5% | −13.9% |
Gross margin | 42.9% | about 10% (S$17.1M gross profit / S$165.1M) |
Net margin | −555% | −74% (net loss S$122.4M) |
Equity position | Negative (−S$4.14M) | Net current liabilities of S$46.3M (31 Mar 2025) |



